Donate - VitrinaLab

We are the first non-profit organization dedicated to promoting and supporting contemporary Chilean art in the United States.

Vitrinalab aims at becoming a driving force in the career of Chilean visual artists of all over the world

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VitrinaLab Foundation is a non profit organization with 501 (c) (3) tax deduction status

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Apr 16

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Apr 14

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💜 We invite you to be part of a community committed to Chilean art. We offer you to “live art” through exclusive activities and events. By joining VitrinaLab Friends, you are helping to deepen our mission, collaborating with the development of cultural projects. It is a simple gesture, but one that contains incalculable value: it is to be part of a cultural community that supports and gives value to the artistic and cultural heritage of Chile, it is to be part of a group of people with similar interests and tastes. It is a way of contributing to the development and evolution of art and artists. Access exclusive events and activities by joining the club.

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Apr 12

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Colomba Fontaine

My work consists mainly of a series of material processes, a technical exploration with unexpected results, which appear from applying similar processes to different elements, putting the properties of each materiality to the limit, working carefully in relation to unknown behaviors.

Serie Azul
2020
Cerámica gres y pigmento
Medidas variable

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Apr 12

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Apr 9

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We invite you to be part of the history of Miami by sponsoring the creation of the second stage of the Mural “𝗧𝗵𝗶𝘀 𝗶𝘀 𝗖𝗵𝗶𝗹𝗲” a mural made by MATUSAO, a Chilean artist in Miami.
Art gathers, inspires, makes one think, embellishes. Art in public spaces is a meeting point and opinion.

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𝗩𝗼𝗹𝘃𝗲𝗿 𝗹𝗮 𝗺𝗶𝗿𝗮𝗱𝗮
It is an attempt to return to the roots of our art as Latin Americans. It is the geometric forms and the synthesis of the human figure that characterized our ancestors for hundreds of years. A particular vision of the sacred in a world where life, art, magic and nature were one. Through this Mesoamerican vessel that represents a god of rain, a shaman warrior, the omen of a rain that renews, cleanses, prompts us to look again at how our ancestors resurfaces. An opportunity to look back.

Curated by @liraartepublico

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Apr 9

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𝙰𝚗𝚍𝚛𝚎𝚊 𝙷𝚊𝚞𝚎𝚛
Second Skin Abstract
125 x 100 x 23 cms
Tela de camisetas usada y caucho
2019
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The sculptural work that I develop is based on the use of materials recovered from my daily environment (textiles, plastics, boxes, branches,) and simple and repetitive manual processes (cutting, weaving, gluing, sewing,) related to the textile and domestic world and historically linked to women. I use fairly common techniques and materials in a search to demystify the work and the figure of the artist. Currently I am working on a series of works made with branches collected by the city and textiles used by my own family. I use used clothing as a metaphor to talk about care work within the family nucleus and with the natural elements I underline our eco-dependence. Formally, the sculptural objects are structured around branches and sticks with fabrics converted into communicating protuberances, organs and vessels. These abstract and organic forms hybridize, forming apparently fragile, unstable and dependents as a metaphor for our own body.

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Apr 7

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We are happy to share with you our new image and website:

LINK IN BIO ☝🏿

ABOUT US

We are the first non-profit organization dedicated to promoting and supporting contemporary Chilean art in the United States, creating opportunities and positioning visual artists within the American market

C R E A T E S opportunities to expose Chilean visual artists in the US.

O R G A N I Z E S exhibitions, events, public art and specific projects.

B U I L D S bridges of collaboration with curators, collectors, gallery owners and the art loving public.

O F F E R S art residencies of collaborative experiences for emerging artists.

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Mar 31

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Mar 29

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DANIELA DOMINGUEZ

The artist works towards a meditation about architecture, in which a game of sensorial experience and perception becomes a fundamental part of her investigation. The goal remains as an exploration of the infinite variations of space and form that are shaped throughout the study of light and shadow. In the same way, the color has an important role to construct the visual space through the plot, lines and color surface that manage to unify the visual proposal.

La artista trabaja desde la reflexión arquitectónica, donde el juego entre la experiencia sensorial y la percepción se vuelven fundamental para su investigación. Su objetivo ha sido la exploración de los diferentes espacios y formas que se configuran a través del estudio de la luz y la sombra. Del mismo modo, el color cumple con un rol importante para construir el espacio pictórico a través de tramas, líneas y planos de color que logran unificar la propuesta visual.

Estudio de color ( Color study)
silkscreen on paper
50 x 30 cm

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Mar 26

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DAVID CORVALANT

His work is explained by moving the border from the contemporary sculptural object, mainly made with industrialized material, towards the territorial performance, giving to his work the neatness and love he expresses once he grabs the essence of the ancestral environments that he runs through and also when he builds up his own imaginary. Mainly located in Desierto de Atacama in the north of Chilean territory, there he found out his main artistic purpose. The last concerning consists of showing the abuse the copper industry wields on people by means of an act of submission towards that mentioned element and its territory. The main stances of this artist facing to his own play are to be creative, calm and patient, among others.

Su trabajo se caracteriza por desplazar la frontera desde el objeto escultórico contemporáneo, principalmente realizado con materia industrializada, hacia la performance territorial, impregnando en su quehacer la prolijidad y el amor que manifiesta al capturar la esencia de los entornos ancestrales que recorre y al construir su propio imaginario. Emplazado principalmente en el Desierto de Atacama de Chile, es donde descubre su principal propósito artístico: evidenciar los abusos que la industria ejerce en las personas, mediante un acto creativo, calmo y paciente, de reverencia hacia el abusado elemento y al territorio.

"No title", 2019
Paperclip sculpture
7 1/2 × 12 × 7 1/2 in
19.1 × 30.5 × 19.1 cm

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Mar 24

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CAROLINA CAMBLOR
Lápices en papel.
21 x 15,5 cm.

"Considering the background of a video and performative work, the artist revives a pictorial and color pencil drawing process. In this series of works, scenes of an imaginary composed by film captures, old magazines, discontinued library catalogs, and images repost on social networks, among others, are presented. All this in a process that implies parasitizing the images that others generate, and also, accumulating, analogously or digitally, several daily images -representing the canon of our time- in a compulsive way.

In the process of generating the artwork, the images are treated by the artist under the influence of personal memories and sensations, from certain experiences she has tried to retain mentally, images worked in a declaredly provocative sense rather than a nostalgic one. These drawings, with a palette of saturated colors, contain scenes with a marked atmosphere of ambiguity and desire, from an understanding of the Image itself as desire, always transformed in the likeness of the present moment, and abyssed in that desire"

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Mar 23

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ANTONIO CASTILLO
Serie: Paisajes residuales.
Obras realizadas durante la Residencia URRA en Buenos Aires.
2019

ENG/ "My life experience has been marked by a constant movement; this nomadic condition is reflected in my work. I work with different media that are the support of my work: painting, drawing, sculpture, photography, video-animation. These “supports” allow me to “contain” varied local and foreign imaginary, where territory, nationality and visual arts, all limits, invariably intersect in my proposal"

SPA/ "Mi experiencia de vida ha estado marcada por un constante movimiento, esta condición nómade, se ve reflejada en mi obra. Trabajo con diferentes medios que son el soporte de mi obra: pintura, dibujo, escultura, fotografía, video-animación. Estos “soportes” me permiten “contener” un variado imaginario local y foráneo, donde territorio, nacionalidad y artes visuales, límites todos, se cruzan invariablemente en mi propuesta"

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Mar 19

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Mar 17

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𝙲𝚁𝙸𝚂𝚃𝙸𝙰𝙽 𝚅𝙴𝙻𝙰𝚂𝙲𝙾

ZONA DE FLUJO
Obra Site specific en el Museo Nacional de Bellas Artes.
Vídeo Instalación / Tejido de coligües.
2017

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Mar 17

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Mar 15

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GERMAN TAGLE

Formally trained as an architect, buildings and homes assuredly populate his paintings. By building a matrix of personal cultural iconography -- architectural renderings, influential Art Deco exteriors, fabric substrates reminiscent of the childhood home interiors, silhouetted figures engaged in production -- his narrative landscapes investigate the intersections of territory and identity, constructing layered perspectives analogous to his hybrid identity.
Swirling acrylic races across charged surfaces in lush striations.

The color and gestural motion meddle allusions to mineral configurations, aerial topographies, psychedelic camouflage, magic, energy and contamination. The resulting uncertainty is at once disquieting and suspenseful. What lurk in these unnatural urban and suburban environments, often inhabited by seemingly radioactive figures and uninhabited homes, bedazzled by riotous surface marbling, are disjointed critical spaces evoking an extravagant unease.

Akin to the dark heart that pumps beneath the seductive surfaces of Pop art, Tagle’s deceptive post-pop landscapes sit atop romanticized interpretations of the pastoral ideal toile de Jouy, kitschy decorative patterned fabrics, and early industrial, now fashion staple denim. Tagle builds a new spatiality, shadowy and illusive, fantastical and alive.

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Mar 12

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𝚃𝙾𝙼𝙰𝚂 𝚅𝙰𝙻𝙳𝙸𝚅𝙸𝙴𝚂𝙾

"We live in a world that moves amongst the classic and the industrial. This is the basis for the process of my work, divided into two main concepts.
The first part of the construction of my collage is hand-selecting, cutting and pasting images.
The second part is the digitization and banner printing, evoking the industrial. In certain instances these are cut once again and either inter-woven or revealed in fragments and thusly reworked with collage.
However this is only used as a means to an end product.
Prints can be reused to produce new works but never duplicated in doing so.
In this way works are created that are saturated with images that call forth the bombardment of these concepts we live with in actuality".

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Mar 10

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Mar 8

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💟 HAPPY INTERNATIONAL WOMEN´S DAY

Woman Power in our team! 💪

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Mar 5

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𝗖𝗔𝗥𝗟𝗢𝗦 𝗘𝗗𝗪𝗔𝗥𝗗𝗦

In his abstract work, Carlos Edwards produces a conception of the world as a reality made up of dualities and oppositions. The use of stones found in rivers, eroded by time and water, contrasts with the rigid and solid materiality of the stone. The artist works the stone and transformes it into a fragile piece, where elements such as water and wind are part of the work.

Carlos Edwards sculptures are interested in form, the realization and development occur in close dependence on the field and in close connection with the space in which it is established. These forms are dynamic, powerful and constructive were the geometric rigor is overcome by the empty spaces that are also part of the construction of the sculptures. These spaces of silence are "the presence of the formal absence" in the words of the artist.
The sculptor's work explores the concepts of time, space, matter, and spirit. The space is defined by the various intersecting planes in the formal composition of the sculpture, which is built by the organic history of the stone and the intervention of the artist. The sculpture is an elusive and fragile vacuum or subtle, is a new entry into the landscape by Carlos Edwards.

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